Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Jean-Louis Voille
Portrait of Elisaveta Alexandrovna Demidov, nee Stroganov (1779-1818), here as Baronesse Stroganova

ID: 98347

Jean-Louis Voille Portrait of Elisaveta Alexandrovna Demidov, nee Stroganov (1779-1818), here as Baronesse Stroganova
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Jean-Louis Voille Portrait of Elisaveta Alexandrovna Demidov, nee Stroganov (1779-1818), here as Baronesse Stroganova


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Jean-Louis Voille

painted Ivan Perfilevich Elagin in 1789  Related Paintings of Jean-Louis Voille :. | The Wyndham Sisters Lady Elcho,Mrs.Adeane,and Mrs.Tennanet (mk18) | Bayou Plaquemines | vue urbaine dite de montmartre | Portrait of Leopold Clement de Lorraine | On a reaped field before the storm |
Related Artists:
Oehme, Ernst Ferdinand
German, 1797-1855
Giovanni Battista Ortolano
Ferrara ca 1487-after 1524
BELLINI, Jacopo
Italian Gothic Era Painter, ca.1400-1470 Born in Venice, Jacopo had been a pupil of Gentile da Fabriano. In 1411-1412 he was in Foligno, where with Gentile he worked at the Palazzo Trinci frescoes. In 1423 Bellini was in Florence, where he knew the new works by Brunelleschi, Donatello and Masaccio. In 1424 he opened a workshop in Venice, which he ran right up until his death. Many of his greatest works, including the enormous Crucifixion in the cathedral of Verona (1436), have disappeared. From c. 1430 is the panel with Madonna and Child, in the Accademia Carrara, once attributed to Gentile da Fabriano. In 1441, at Ferrara, where he was at the service of Leonello d'Este together with Leon Battista Alberti, he executed a portrait of that Marquess, now lost. Of this period the Madonna dell'Umilt??, probably commissioned by one of the brothers of Leonello. The influence from Masolino da Panicale towards more modern, early Renaissance themes is visible in the Madonna with Child (dated 1448) in the Pinacoteca di Brera: for the first time, perspective is present and the figure are more monumental. Later he contributed with works now lost to the Venetian churches of San Giovanni Evangelista (1452) and St. Mark (1466). From 1459 is a Madonna with Blessing Child in the Gallerie dell'Accademia. Later he sojourned in Padua, where he trained a young Andrea Mantegna in perspective and classicist themes and where, in 1460, he finished a portrait of Erasmo Gattamelata, now lost. Of his late phase, a ruined Crucifix in the Museum of Verona and an Annunciation in Sant'Alessandro of Brescia remain.






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